Articles By: Bonnie Greenball Silvestri

Getting to know Ransom Riggs

Getting to know Ransom Riggs

Bonnie Silvestri speaks with Ransom Riggs, a graduate of Sarasota’s Pine View School whose novel, Miss Peregrine’s Home for Peculiar Children, charted at #1 on the New York Times bestseller list and is slated to be made into a motion picture by Tim Burton.

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The talented cast of "The World Goes 'Round."

Don’t miss a summer treat with “The World Goes ‘Round” at FST

Bonnie Silvestri decided to overlook the roller skates and take a chance on this musical revue, which features the works of songwriting duo John Kander and Fred Ebb. She’s glad that she did! Bonnie writes, “This is a first-class show that is well worth your time.”

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Noah Racey is the ultimate song and dance man.

Racey’s “Pulse” is riveting from start to finish

Through the thrilling medium of song and dance, Noah Racey’s Pulse at the Asolo Rep tells the individual stories of how a group of performers became the exceptional artists they are today.

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The cast of FST's "Under Six."

Young playwrights descend on Sarasota

This week, the Florida Studio Theatre finished this season’s “Write A Play” program, in which 21 winning plays from over 3,000 submissions were staged by a small FST cast. Over 300 people, including the winning young playwrights and their families, traveled to Sarasota to watch their plays and receive recognition at an awards ceremony.

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The Westcoast Black Theatre Troupe in a rousing performance.

Westcoast Black Theatre Troupe promises another hit season

In a small theater north of downtown, the Westcoast Black Theatre Troupe (WBTT) raised the roof in a rousing production of It Ain’t Nothin But the Blues, which runs through May 12. Tickets to the season’s remaining shows are scarce, and it’s no wonder.

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TWIS Contributor Bonnie Greenball Silvestri sat down with New York magazine art critic Jerry Saltz.

Art critic Jerry Saltz takes on the 40,000-headed beast

Bonnie Silvestri interviews art critic Jerry Saltz about his desire to move away from the vertical model in which the art critic tells everyone else what to think. Using online media, Saltz opens up a “more horizontal platform” in which everyone has a voice in the creative and critical process.

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